Sylvain Lupari – April 26th, 2015
If “Lichen Patterns” offers a rather relaxing structure, “Ritual Sequence” raises the level of intensity with more hectic percussions. Percussions which plough heathen moods fed by the groans of Didge, the muffled songs of spectres and those of the flutes with a tint of blowpipe. The structure reminds me extremely Steve Roach, especially with those synth lines floating such as long lassoes without preys to catch, in his quest of the Australian deserts with tones and organic pulsations which are smothered by a dense layer of synth to the very ancestral aromas. “Orison” distances itself from the usual style of Shane Morris with a clearly more tribal approach. One would say a ritual dance of the Middle East with lively percussions and with airs of Armenian flutes; the Duduks. If the percussions play a leading role in “Blood Moon”, the rhythms to which they give birth are not less very peaceful here. So, “Unfolding” is closer of Steve Roach‘s ambient tribal universe than “Ritual Sequence“. In fact both titles are closely bound by the same atmospheres, aboriginal flutes in less. If the percussions are also well fed, they are less strong and let glitter ringings of carillons which throw an aura of incantatory mysticism on the most ambient, the most serene track of “Blood Moon”. I like it! And the sonic shroud is filled with small hearing pleasures which are going to delight those who are gourmand of sounds and tones. “Night Rapture” is the highlight of “Blood Moon”. The intro grows slowly with percussions which trace a laborious ascent. Little by little the pace accentuates its cadence beneath muffled growls, which stretch in long reverberations, and synth lines of which some are escaping and form shadows which float like ethereal songs. It’s dark, heavy and insistent. Like an ambient trance! The subtle crescendo is very wrapping. Between the uncomfortable blackness of the nights of agitation and the hypnosis of the continual upward percussions, “Night Rapture” infiltrates our senses with a merciless will of bewitchment. The ambient stubborn rhythm is always climbing these timeless staircases while that some rich synth lines are erupting, such as slow waves rolling with harmonies always a little muddled up which inject a mix of ethereal and sibylline ambiences. This is incredibly mesmerizing. Our eardrums tremble under the din of the percussions. The wild approach of “Night Rapture” evaporates bit by bit after the 12th minute into some shivers and insect noises, ending so a journey at the end of the ominous and fascinating ambiences of “Blood Moon”; an album in the same lineage as Proof Positive and Spiral Meditations by Steve Roach. A very beautiful album which opens new perspectives to the ambient tribal genre, due to the wealth of its rhythms and its soundscapes to the evolutions as much audacious than the ingenuity behind the multiplicity of the patterns of manual percussions.
Sylvain Lupari (April 26th, 2015)